Members List
All members names are listed alphabetically. To learn more about each member click on their name below. Please scroll down.
Bami Adedoyin, Brooklyn, NY
Mohd Fuad Arif, Malaysia
Megan Bisbee, Alfred, NY
Missy Carr, Washington, DC
Kristin Carroll, Boston, MA
Tony Conrad, Buffalo, NY
Kristin Carroll, Boston, MA
Tony Conrad, Buffalo, NY
Lara Davis, Providence, RI
Cindy DeFelice, Brockport, NY
Ghen Dennis, Buffalo, NY
Leigh Ann Francis, New Brunswick, NJ
Chifumi Fujisawa, Mosumoto, Japan
Amy Goldberg, Rochester, NY
Bethany Goldpaugh Brown, Kingston, NY
Virva Hepolampi, Helsinki, Finland
James Holland, Southbury, CT and Rochester, NY
Kelly Jacobson, Kansas City, MO
Akil Kirlew, Brooklyn, NY
Caroline Koebel, Buffalo, NY
Jennifer Little, Rochester, NY
Edna Madera, Rochester, NY
Darin Martin, Oakland, CA
Tammy McGovern, Buffalo, NY
Colleen Vera Melisz, Buffalo/Rochester, NY
Toni Mosley, Auckland, New Zealand
Tomoya Murazumi, Kanazawa City, Japan
Akane Nakamori, Kanazawa City, Japan
Stephanie Nolasco, New York, NY
Natasha Pachano, Costa Rica
Warren Peace, Jersey City, NJ
Anjanel Dawn Pinet, Rochester, NY
Mima Simic, Croatia
Joan E. Stoltman, Buffalo, NY
Diane Teramana, Kingston, NY
Angela Tessier Kanazawa City, Japan
Andy Tetzlaff, Kanazawa City, Japan
Matthew Underwood, Boston, MA
Adam Weekley, Buffalo, NY
wolfgrrrl sometimes billijo, Rochester, NY
Walter Wright, Lowell, MA
Ami Yamasaki, Kanazawa City, Japan
Ojima Yukari, Kanazawa City, Japan
Karen Y. Zhang, Beijing, China |
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Members List
Goldie Jones
Filmmaker, Photographer, Interactive/Multimedia Artist, Writer
I feel that I have three categories of work: Personal and Feminist/Political and Absurd. But the lines between these constantly blur.

Most of my personal work, which attempts to look at who I am, ends up becoming feminist and political as I explore the representation of the self, and the construction of the self and individual "realities" that are constructed inside this particular social structure and culture. But then most of my personal work begins to belong to the category of the absurd as I continue to find myself unable to locate any sort of concrete "reality".
My political work looks more generally at the position and representation of women in society or at the social structures and hierarchies in place and the gaps in those structures. These are the places where art fills in the missing pieces to help form and reshape social realities.
And my absurd work simply plays with reality, or the absence of universal reality. Instead, it attempts to show what is commonly accepted as true or natural outside of it's familiar frameworks. Without it's veils of the familiar, these realities become visible.
But mostly, I like to play: play with ideas, with subjects, with reality, and try to keep the art (and the artist) from taking itself too seriously.
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