Members List
All members names are listed alphabetically. To learn more about each member click on their name below. Please scroll down.
Bami Adedoyin, Brooklyn, NY
Mohd Fuad Arif, Malaysia
Megan Bisbee, Alfred, NY
Missy Carr, Washington, DC
Kristin Carroll, Boston, MA
Tony Conrad, Buffalo, NY
Kristin Carroll, Boston, MA
Tony Conrad, Buffalo, NY
Lara Davis, Providence, RI
Cindy DeFelice, Brockport, NY
Ghen Dennis, Buffalo, NY
Leigh Ann Francis, New Brunswick, NJ
Chifumi Fujisawa, Mosumoto, Japan
Amy Goldberg, Rochester, NY
Bethany Goldpaugh Brown, Kingston, NY
Virva Hepolampi, Helsinki, Finland
James Holland, Southbury, CT and Rochester, NY
Kelly Jacobson, Kansas City, MO
Akil Kirlew, Brooklyn, NY
Caroline Koebel, Buffalo, NY
Jennifer Little, Rochester, NY
Edna Madera, Rochester, NY
Darin Martin, Oakland, CA
Tammy McGovern, Buffalo, NY
Colleen Vera Melisz, Buffalo/Rochester, NY
Toni Mosley, Auckland, New Zealand
Tomoya Murazumi, Kanazawa City, Japan
Akane Nakamori, Kanazawa City, Japan
Stephanie Nolasco, New York, NY
Natasha Pachano, Costa Rica
Warren Peace, Jersey City, NJ
Anjanel Dawn Pinet, Rochester, NY
Mima Simic, Croatia
Joan E. Stoltman, Buffalo, NY
Diane Teramana, Kingston, NY
Angela Tessier Kanazawa City, Japan
Andy Tetzlaff, Kanazawa City, Japan
Matthew Underwood, Boston, MA
Adam Weekley, Buffalo, NY
wolfgrrrl sometimes billijo, Rochester, NY
Walter Wright, Lowell, MA
Ami Yamasaki, Kanazawa City, Japan
Ojima Yukari, Kanazawa City, Japan
Karen Y. Zhang, Beijing, China |
|
Members List
Kristofer Neely
Currently serving as the Assistant Dean for Studio Art at Wofford College, I am also the owner and creative director of Wet Paint Syndrome, LLC in Spartanburg, SC. I am an interdisciplinary artist working at the intersection of intention and accident both in my studies, my teaching, and in my studio.
I embrace experimentation as an essential part of my daily practice. I am guided by my intuition in much of my work whether I am painting with repurposed bicycle parts or determining places in an urban landscape where a painting should be positioned.
I am haunted by images. They are never in short supply for me, and I have few inhibitions in releasing them in the world or into the hands of others.
I am interested in visionary artists, ephemera, and the ideas that infiltrate the established order with unexpected humor and hope.
I consider my time in the studio to be a manual act of contemplative prayer.
|
|
